![]() |
|||
| SEND ME A LULLABY-
The Go-Betweens manage to make dramas out of the ordinary and to find a nagging fatalism in the predictable ...The Go-Betweens won't startle you but, if you'll let them, they'll catch the corner of your eye and offer you a glimpse of what's just out of sight, in the middle of the normal. "No sign of heaven here" they sing on 'Midnight to Neon' - quite right, and they make drama out of the fact and not display. Seek them out. |
|||
original release 1982 |
|
||
| Send Me a Lullaby ***1/2
The Go-Betweens are what's called a textbook case. Originally a stark, agitated twosome, over 12 years they became an ornate six-person pop group. While leaders Robert Forster and Grant McLennan maintained a consistent level of quality songwriting, the dulling forces of stability, maturity, and over-production made their later albums less individual, especially in comparison with the rampant bizarritude evident on their just-reissued early albums. Along with the Saints, the Go-Betweens are the finest band Australia ever produced. They began in Brisbane in 1978 as a guitar-bass duo, but added drummer Lindy Morrison before recording Send Me a Lullaby, their willful, difficult debut album. Hardly for neophytes, the album lacks both a producer and anything approaching a hook. The guitar is scratchy and jangly, embellishing the songs rather than carrying them, which the bass nominally does. Forster's guitar jumps from one chord to another, seemingly at random, and only establishes structure by repeating the same inappropriate jumps. It's not quite Schoenberg, but it is some of the most hostile pop music ever. The most melodic songs, McLennan's flowing waltz "Your Turn, My Turn" and Forster's paranoid "Eight Pictures," are the most striking. In the latter, Forster strums a nearly traditional progression, but without any sort of strict rhythm. As he strains his voice to moan, "I shot you with my camera / Caught you doing things with him," the effect is terrifying. The drums enter halfway through, but only for 20 seconds of random pounding before the noise subsides, and Forster resumes his obsessive harangue. McLennan sings a few of the songs on Lullaby in a strident, untrained squeal; on all subsequent albums, he splits the songwriting and singing evenly with Forster. McLennan's voice is sweeter and more attractive than Forster's, and his songs are calmer. But for those of us who like our angst served up raw, McLennan cannot approach Forster in voice or song. He's just a little too subtle and a little too normal. - David Auerbach - http://www.yale.edu/herald/ |
|||
| BEFORE HOLLYWOOD
"This record looks back to the past - childhood, lost love, and lost utopias. These are fragile feelings, hard to express, but The Go-Betweens fly straight to the heart with passion and intelligence. The massive melodic talents of Grant Mclennan and Robert Foster are revealed in all there simplicity of inspiration yet richness of their craft. The Go-Betweens yearn for the elusive, the perfection that may once have been but never will again. 'Before Hollywood' is a rare masterpiece." |
|||
original release 1983 - reissued in 1996 |
|
||
| Before Hollywood ****1/2
Before Hollywood shows off more of the same weird chord progressions, particularly on Forster's magnificently dysfunctional "By Chance," but organizes them into more accessible and fleshed-out songs. Forster's songwriting is much more crafted than before, but Hollywood is the only album on which McLennan really outshines him. McLennan's quietly haunting "Dusty in Here," written in memory of his father, and his beautiful, nostalgic "Cattle and Cane" both show an incredible attention to texture, even with sparse instrumentation. But the album's peak is "As Long as That," a menacing exorcism of a doomed relationship where Forster and McLennan trade off weary, resigned lines like "I'm not stuck to be inspired by her or by me / Get this, and how, I'm lifted way, way down." Uncompromising, yet touching and varied, Before Hollywood is the group's best album. - David Auerbach - http://www.yale.edu/herald/ |
|||
| SPRING HILL FAIR--
"Cling like leeches to them, for if they don't always seem like good company, there's plenty of substance here. It just takes time for their abundant qualities to surface and shine. It would be silly to pretend The Go-Betweens are a sparking fun experience - they are sometimes excessively sombre, verging on sobriety. They don't make for the easiest of entries, but the pleasures and rewards are longer lasting. And endurance, I'd hazard, is important to the Go-Betweens, just as it was for The Band's and The Velvet Underground's third LPs before them." |
|||
original release 1984 - reissued in 1996 |
|
||
| Spring Hill Fair ****
The Go-Betweens added bassist Robert Vickers on Spring Hill Fair, making for a more traditional lineup and sound. When combined with thick, occasionally smooth production, the unorthodox structures fight with the arrangements. None of this really matters, though, because most of the songs are excellent. McLennan's songwriting is not as expressive or effective and he occasionally slips into the sugary pop that would wreck some of his later songs. But he almost approaches Forster's level of agitation on "Slow Slow Music" and provides a weird digression on the spoken-word "River of Money." Forster is in top form, especially on the contemptuous, calm(!) "Draining the Pool for You" and the memorably boppy "Man O'Sand to Girl O'Sea," where chants of "I want you back" offset sentiments like "I feel so sure of our love / I'll write a song about us breaking up." It ends in a remarkably proficient and remarkably long guitar solo that spotlights the Go-Betweens' continuing development. After Spring Hill Fair, the Go-Betweens went on to make three albums with more production and less quirks. While never less than good, they can't really compare to these three, where the Go-Betweens sound like no one else. Even 'Send Me a Lullaby', for all its abrasiveness, defies any criticism of carelessness in its calculated neuroses. Don't let these albums be lost to the ages. - David Auerbach - http://www.yale.edu/herald/ |
|||
"The Go-Betweens are so pure, so antirockist, as to be scoured clean of violence, exhibitionism and, most of the time, direct emotional expression.The new record is lovely, though. The wintery sound now seems to tremble and glow with beauty ... such is The Go-Betweens' mastery of the atmosphere and aching melody, that they can entrance the listener even when you don't know why you've being moved." |
|||
original release 1986 - reissued in 1996 |
|
||
| TALLULAH-
"While phrases like 'taste' and 'quality' can actually seem defeatist in the quick-kill consumer-conscious atmosphere perdominant in chartdom '87, any anachronistic accusations levelled at The Go-Betweens for their adherence to values of songwriting and musicianship are ultimately rendered redundant by the indisputable class of their best work. The level of songwriting within the band has continued to progress at an almost geometric rate. Tallulah is a fine record. Besides, it maintains The Go-Betweens' tradition of having two 'L's in each of their album titles. Now there's an achievement worthy of accolades." |
|||
original release 1987 - reissued in 1996 |
|
||
| 16 LOVERS LANE-
"The Go-Betweens are on of the most unobtrusively brillant bands around. Their Dylany strum hides a razor-sharp intelligence, and a further listen reveals that the music ain't so simple either. It's layered without being cluttered , every lyric distinct, every instrument shimmering. The result makes for a dreamy yet propulsive experience. The feeling that shines off this record is deep happiness, a slightly disbelieving wonder at the manifold joys of the human experience. A lovely record, one of the year's best." |
|||
original release 1988 - reissued in 1996 |
|
||
| 16 LOVERS LANE - ACOUSTIC DEMOS
code: PREMIUM 2 |
|
||
| 1978 - 1990
code: BBL 104 CD |
|
||
![]() |
REVIEW: The Go-betweens, _The Lost Album '78-'79_ (Jetset) - David Landgren It's the story of a miracle. Some three to four years before the Go-betweens released their first album, _Send me a lullaby_, someone plugged a tape deck into the mixing desk during a rehearsal in Robert Forster's bedroom. And a copy of this tape recently resurfaced (hence this record). Robert Forster sums it up best himself in the press release: "This...is another world. This is us as a Seventies band. A Seventies band that didn't really sound like many other Seventies bands. And that for me is the charm of the |
||
| whole thing and why I remember this period with such fondness. That gave it power and a certain uniqueness." And the amazing thing is how much it really works. I'm not much of a fan of _Send me a lullaby_ (which will probably get me shot in certain circles). So with that in mind I approached the idea of a lost album with a certain amount of trepidation and suspicsion. I truly was expecting some dreadful cringe material, or something hopelessly self-indulgent. But it's something else again, something quite magical. The sound quality is, to be honest, bloody awful; it's like trying to watch a play by the shadows cast on walls. At times, especially on "Long lonely day," the tape signal is washed out with static. Faint squeals of feedback loom in the background like thunderclouds, threatening to swamp everything. For reasons I can't quite fathom, while listening to this album, the closest parallel I can find is The Fall's _Perverted By Language_. It has something to do with the rough nature of the music, like an uncut gem. It's also pretty obvious that any attempts (although I suppose they cleaned it up in minor ways) to clean up the signal would probably also destroy the soul of the music. But it works. Indisputably, it's a major record. At the same time, it's a non-record, a record that will never be. It captures things as they were, at the time. A couple of twenty year olds playing their own material, at a time when most other people their age were no doubt listening to Supertramp and Pink Floyd. The two links to the future are held in the opening tracks, "Lee Remick" and "Karen," songs that any self-respecting Go-betweens fan should know off by heart. The rest of the songs veer off into the unknown, unless of course you were living in Brisbane twenty years ago - in which case this is certainly going to bring back some memories for some people. Some of the stronger tracks, despite the technical flaws, include "Long lonely day" and "Day for night," which contain the seeds of the future, and "The sound of rain" with its '60s vibe. The bottom line is that this record is pretty much an essential addition to any self-respecting Go-betweens fan. Again, don't expect technical perfection; that's not what it's about. However, I understand completely why Grant and Robert decided to issue it, and I thank them for having had the courage to do so. For all its warts, this record is amazingly engaging. |
|||
| FULL DISCOGRAPHY - Part One - Singles
7": Lee Remick / Karen (Able Label - May 1978)(AUS) 7": People Say / Don't Let Him Come Back [original version] (Able Label - May 1979)(AUS) 7": I Need Two Heads / Stop Before You Say It (Missing Link MISS 23, 1980)(AUS) 7": I Need Two Heads / Stop Before You Say It (Postcard 80-4, June 1980) 7": Your Turn, My Turn / World Weary (Missing Link MISS 29, July 1981)(AUS) 7": Hammer The Hammer / By Chance (Missing Link MISS 33, 1982)(AUS) 7": Hammer The Hammer / By Chance (Rough Trade RT 108, July 1982) 7": Cattle And Cane / Heaven Says (Rough Trade RT 124, Feb. 1983) 7": Man O'Sand To Girl O'Sea / This Girl, Black Girl (Rough Trade RT 144, Nov. 1983) 7": Bachelor Kisses / Rare Breed (Sire W 9156, Aug. 1984) 12": Bachelor Kisses / Rare Breed / Unkind And Unwise (instrumental) (Sire W 9156-T, Aug. 1984) 7": Part Company / Just A King In Mirrors (Sire W 9211, Nov. 1984) 12": Part Company / Just A King In Mirrors / Newton Told Me (Sire W 9211-T, Nov. 1984) 12": The Peel Sessions (Strange Fruit SFPS 074, 1984) Five Words / The Power That I Now Have / Rare Breed / Secondhand Furniture [also CD reissue; Strange Fruit SFPSCD 074, 1989] 7": Spring Rain / The Life At Hand (True Tone 884 473-7, 1986)(AUS) 7": Spring Rain / The Life At Hand (Beggars Banquet BEG 155, Feb. 1986) 12": Spring Rain / The Life At Hand / Little Joe (Beggars Banquet BEG 155 T, Feb. 1986) 12": Spring Rain / Head Full Of Steam (remix) (Big Time 10030-12, 1986)(US promo) 7": Head Full Of Steam / Little Joe (True Tone 884 809-7, 1986)(AUS) 7": Head Full Of Steam (remix) / Don't Let Him Come Back [new version] (Beggars Banquet BEG 159, May 1986) 12": Head Full Of Steam (remix) / Don't Let Him Come Back [new version] / The Wrong Road (early version) (Beggars Banquet BEG 159 T, May 1986) 12": The Able Label Singles:- Lee Remick / Karen / People Say / Don't Let Him Come Back (Situation Two SIT 44T, Nov. 1986) 7" Apology Accepted [promo single with Empire State track, "Hey Mista", on b-side] (Music Station MS002, 1986)(AUS) 7": Right Here / When People Are Dead (True Tone 888 390-7, 1987)(AUS) 7": Right Here / When People Are Dead (Beggars Banquet BEG 183, Feb. 1987) 12": Right Here / When People Are Dead / A Little Romance / Don't Call Me Gone (Beggars Banquet BEG 183 T, Feb. 1987) [also available as 2x7"; BEG 183 D] 12": Right Here / Right Here (Big Time 6054-1-BDAA, 1987)(US promo) 7": Cut It Out / Time In The Desert (Beggars Banquet BEG 190, May 1987) 12": Cut It Out / Time In The Desert / Doo Wop In 'A' (Bam Boom) (Beggars Banquet BEG 190 T, May 1987) 7": Bye Bye Pride / The House That Jack Kerouac Built (Beggars Banquet BEG 194, Aug. 1987) 12": Bye Bye Pride / The House That Jack Kerouac Built / Bye Bye Pride [Radio 1] (Beggars Banquet BEG 194 T, Aug. 1987) 7": Streets Of Your Town / Wait Until June (Mushroom K607, 1988)(AUS) 7": Streets Of Your Town / Wait Until June (Beggars Banquet BEG 218, July 1988) [also 7" box set with photo, street plan and badge; BEG 218 B] 12": Streets Of Your Town / Wait Until June / Casanova's Last Words (Beggars Banquet BEG 218 T, July 1988) CD: Streets Of Your Town / Spring Rain / Right Here / Wait Until June (Beggars Banquet BEG 218 CD, July 1988) [5" promo CD] 7": Streets Of Your Town / Wait Until June (Capitol P-B-44262, 1988)(US white label promo) 12": Streets Of your Town / Rock And Roll Friend / Mexican Postcard / Wait Until June / Casanova's Last Words (Capitol SPRO-79547, 1988)(US promo) 7": Was There Anything I Could Do ? / Rock And Roll Friend (Mushroom K698, 1988)(AUS) 7": Was There Anything I Could Do ? / Rock And Roll Friend (Beggars Banquet BEG 219, Nov. 1988) 12": Was There Anything I Could Do ? / Rock And Roll Friend / Mexican Postcard (Beggars Banquet BEG 219 T, Nov. 1988) CD: Was There Anything I Could Do ? / Rock And Roll Friend / Mexican Postcard / Bye Bye Pride (Beggars Banquet BEG 219 CD, Nov. 1988) 12" Was There Anything I Could Do ? / Was There Anything I Could Do ? (Capitol SPRO-79427, 1988)(US promo) 7": Love Goes On / Clouds (Beggars Banquet BEG 225, Jan. 1989) 7": Streets Of Your Town / Quiet Heart (Beggars Banquet BEG 232, May 1989) 12": Streets Of Your Town / Quiet Heart / Bow Down / The House That Jack Kerouac Built (Beggars Banquet BEG 232 T, May 1989) CD: Streets Of Your Town / Quiet Heart / Bow Down / The House That Jack Kerouac Built (Beggars Banquet BEG 232 CD, May 1989) [3" CD in "Traffic Light" longbox] CD: Streets Of Your Town / Spring Rain / Right Here / Wait Until June (Beggars Banquet BEG 232 CP, May 1989) [5" CD]
RADIO SESSIONS BBC / John Peel - 5/8/82 - Near The Chimney / Metal and Shells / Ask / A Peaceful Wreck BBC / David Jensen - 5/1/84 - Bachelor Kisses / Part Company / The Old Way Out / Just a King In Mirrors BBC / John Peel - 29/10/84 - The Power That I Now Have / Secondhand Furniture / Five Words / Rare Breed BBC / Janis Long - 6/5/86 - Head Full of Steam / Casanova's last words / I Work in a Health Spa / Apology Accepted BBC / Andy Kershaw - Spirit Of A Vampyre / Don't Call Me Gone / The House That Jack Kerouac Built / Bye Bye Pride 2JJJ-FM / Australia - A Bad Debt Follows You / Hammer The Hammer / Ask / On My Block / Newton Told Me / Man o' Sand To Girl o' Sea / Cattle And Cane OTHER APPEARENCES COMPILATION: "I Just Get Caught Out (demo)" on "Sounds Showcase 1" (Sounds SHOW 1, 1987) [7" free with "Sounds" magazine, UK] COMPILATION: "Karen" on freebie cassette with "Underground" magazine COMPILATION: "Karen" on "Fast Forward" tapezine, ([?] 1981)(AUS) COMPILATION: "World Weary" on "Seeds II: Art" LP COMPILATION: "Hammer The Hammer" (live) on "Live At The Wireless" LP (2JJJ Records)(AUS) |
FULL DISCOGRAPHY - Part Two - ALBUMS
LP: SEND ME A LULLABY (Missing Link (AUS) / Rough Trade ROUGH 45, Feb. 1982) Your Turn, My Turn / One Thing Can Hold Us / People Know / The Girls Have Moved / Midnight To Neon / Eight Pictures // Careless / All About Strength / Ride / Hold Your Horses /Arrow In A Bow / It Could Be Anyone LP: BEFORE HOLLYWOOD (Rough Trade ROUGH 54, May 1983) A Bad Debt Follows You / Two Steps Step Out / Before Hollywood / Dusty In Here / Ask // Cattle And Cane / By Chance / As Long As That / On My Block / That Way LP: SPRING HILL FAIR (Sire .. , Sept. 1984) Bachelor Kisses / Five Words / The Old Way Out / You've Never Lived / Part Company // Slow Slow Music / Draining The Pool For You /River Of Money / Unkind And Unwise / Man O'Sand To Girl O'Sea LP: METAL AND SHELLS (PVC 8942, Sept. 1985)(US) Part Company / Bachelor Kisses / By Chance / That Way / Draining The Pool For You / Man O'Sand To Girl O'Sea // Cattle And Cane / Unkind And Unwise / As Long As That / A Bad Debt Follows You / You've Never Lived / Slow Slow Music Cass: adds; This Girl, Black Girl LP: VERY QUICK ON THE EYE (Man Made MM008, 1986)(AUS) - [unofficial release of 1981 demos] Sunday Night / One Word / If One Thing Can Hold Us / Hope / It Took You A Week / Ride / Arrow In A Bow / The Clowns Are In Town / Serenade Sound / Careless LP: LIBERTY BELLE AND THE BLACK DIAMOND EXPRESS (Beggars Banquet BEGA 72, Mar. 1986) Spring Rain / The Ghost And The Black Hat / The Wrong Road / To Reach Me / Twin Layers Of Lightning // In The Core Of The Flame / Head Full Of Steam / Bow Down / Palm Sunday (On Board the SS Within) / Apology Accepted LP: Promotional Sampler (Beggars Banquet GO BE 1, 1987) Right Here / The Clarke Sisters / Cut It Out // Spring Rain / Twin Layers Of Lightning / Palm Sunday (On Board The SS Within) LP: TALLULAH (Beggars Banquet BEGA 81, June 1987) Right Here / You Tell Me / Someone Else's Wife / I Just Get Caught Out / Cut It Out // The House That Jack Kerouac Built / Bye Bye Pride / Spirit Of A Vampyre / The Clarke Sisters / Hope Then Strife LP: 16 LOVERS LANE (Beggars Banquet BEGA 95, Aug. 1988) Love Goes On / Quiet Heart / Love Is A Sign / You Can't Say No Forever / The Devil's Eye / Streets Of Your Town / Clouds / Was There Anything I Could Do ? / I'm Alright / Dive For Your Memory CD: Excerpts from The Go-Betweens 1978-1990 (Beggars Banquet GOB 4 CD, 1990) [4-track promo for album] Cattle And Cane / Bachelor Kisses / Man O'Sand To Girl O'Sea / Bye Bye Pride Double LP: 1978 - 1990 (Beggars Banquet BEGA 104, 1990) Karen / Hammer The Hammer / Cattle And Cane / Man O'Sand To Girl O'Sea / Bachelor Kisses / Draining The Pool For You / Spring Rain / The Wrong Road / The Clarke Sisters / Right Here / Bye Bye Pride / The House That Jack Kerouac Built / Streets Of Your Town // Love Is A Sign / 8 Pictures / I Need Two Heads / When People Are Dead / The Sound Of Rain / People Say / World Weary / Rock And Roll Friend / Dusty In Here / A King In Mirrors [Radio 1] / Second Hand Furniture [Radio 1] / This Girl, Black Girl / Don't Call Me Gone / Mexican Postcard / You Won't Find It Again - Double CD (Alfa ALCB-416/417)(Japan) features all tracks CD: Neu Holland (Beggars Banquet SA 3209)[ Free with a subscription to 'Les Inrockuptibles' magazine, France] Love Goes On (remix) / Casanova's Last Words / Wait Until June / Don't Let Him Come Back / A Little Romance / Head Full Of Steam (remix) / Is This What You Call Change / Just Get That Straight / The Man Who Died In Rapture / Leave Here Satisfied / Haunted House / Justice. [credited to "The Go-Betweens, Robert Forster, Grant McLennan and Me" - 6 tracks from the Go-Betweens, 3 from each of Grant's and Robert's first solo albums] CD: SEND ME A LULLABY - remastered (Beggars Banquet BBL 2001 CD) CD: BEFORE HOLLYWOOD - remastered (Beggars Banquet BBL 2002 CD) CD: SPRING HILL FAIR - remastered (Beggars Banquet BBL 2003 CD) CD: LIBERTY BELLE AND THE BLACK DIAMOND EXPRESS - remastered (Beggars Banquet BBL 2004 CD) CD: TALLULAH - remastered (Beggars Banquet BBL 2005 CD) CD: 16 LOVERS LANE - remastered (Beggars Banquet BBL 2006 CD) [reissued by Beggars Banquet (Mar. 1996) with extra sleeve notes and photographs, but omitting any bonus tracks that were added to the CD issues of the original vinyl albums] CD: 16 Lovers Lane Acoustic Demos (Beggars Banquet/Les Inrockuptibles PREMIUM 2, May 1996)(France) Wait Until June (demo) / The Devil's Eye (demo) / I'm Alright (demo) / Was There Anything I Could Do ? (demo) / You Won't Find It Again (demo) / Love Is A Sign (demo) / Love Goes On ! (demo) / Dive For Your Memory (demo) / Streets Of Your Town / The Clarke Sisters / You've Never Lived CD: 78 - 79 The Lost Album (Tag 5) CD: Bellavista Terrace - Best of The Go-Betweens - remastered (Beggars Banquet BBL 2020 CD) CD: Live at SNAP (Beggars Banquet BBP 2006 CD) VIDEO VIDEO SINGLES (Beggars Banquet BB 008)
THAT WAY (Visionary JE 241, Oct. 1993) (all tracks live at The Manhattan Club, Bradford, England, 11th April 1983)
This discography was compiled by Jonathan Turner with contributions and modifications by Geoff Smith, Morten Skjefte, Jen Matson and Richard Arthur. Thankyou all! |
||
| A Go-Betweens
interview
Grant McLennan and Robert Forster Go Betweens - Biography - 1997 live reviews For album / tour reviews from around the world check out Sean Brady's Other site for The Go-Betweens A fine Grant McLennan site |
|||